Susan Surman, Author of Dancing at all the Weddings

What is your book about?

Vivacious and talented Elaine Richman is faced with choices: A risky life in the New York theatre; an exciting life with college sweetheart, actor/director Jake Applebaum in Hollywood; a secure life in Boston with predictable lawyer David Alter, the match anointed by her domineering mother because ‘he’s the kind you marry.’ On the way to a dream, it is possible to collide with another dream’s seduction, only to learn there is no fulfillment on the path to safety. Elaine goes through the wringer to meet herself, proving there is no expiration date on talent or true love.

How long had the idea been developing before you wrote it?

I had an idea for a short story – this was maybe 4 years before I expanded it –

The character was the same, but had a different name, etc. Title: Where in the World is Mary Reynolds? I invited an audience to a reading to get some feedback. There were 35 people there at Altair Casting Agency Studio in Winston-Salem. I knew it was the germ for something more which had to be developed. That story actually is in the book – it covers several chapters.

Why this particular story?

Ernest Hemingway said you must write what is burning up inside. I knew the theatre from the inside; I had been writing novellas; it was time to write a full-length novel. I had so much to put into this book from personal experiences. (Only the names have been changed to protect the innocence, as the saying goes)

How much of you is hidden in the characters?

For those people who know me well, not so hidden. It’s the same with all my writing. I have no imagination. Why invent when all I have to do is remember? Born in Boston, I moved to London, then Sydney, as an actress and writer as Susan Kramer or Gracie Luck. I traveled the world, returned to the US – what I’ve done really with all my books is fictionalized fact.

How long did it take to write Dancing at all the Weddings?

This particular book took about 2 years – I kept expanding. And it just wasn’t finished until it was finished. I had to let it go. That’s it. You just have to let all these people you’ve invented go out and live their own lives by getting out there……

What did you do for research?

I use a lot of the places I’ve been, but to be sure I had updated information, I had to research – online; magazines; talking to people. For example, I don’t know anything about small private aircraft, so I found the person online who owns and sells what I was writing about. We communicated and I had my answers. Mostly, I was really writing what I knew about and one of the main male characters is based solely on a real person. Perhaps the novel depicts the way I would have liked it to turn out with him. That’s why it’s called ‘romance.’ It can be anything you like. Romance, I mean.

What was your technique to stay on track and develop your story?

It was very hard to keep track of the ages. I’d never done anything like this before. One year was usually my time frame. This book spans 28 years. I had to go back to the 1970’s. I kept lots and lots of notes. As math isn’t my strong suit, it wasn’t easy figuring out their ages at any given time, but I did it. I worked backwards with ages and found it the best way to do it. I went over and over it.

Since writing your first book, what has changed?

That was ten, twelve years ago. My first book, Max and Friends, was anthropomorphic for children of all ages; the second book, Sacha:The Dog Who Made It To the Palace, also anthropomorphic, but for adults. I needed to keep going. I needed to keep writing to find out what else I could write. A lot has changed since then. Now I’m introduced as the author or the writer – I guess with the fifth novel coming out, you earn the title. I like that. People treat you differently when they hear you are a writer. It was like being an actress in Europe. You get to the head of the line in restaurants. That type of thing. A little side story about Sacha. He was my dog in London. When I left, I had to leave him. My friend happened to be the florist to the Royal family. She would take Sacha with her. One day the Queen Mother looked out the Palace window, saw the dog in the van and told my friend to bring him in. And that’s where Sacha spent his mornings for a long time. I wrote to Queen Elizabeth that I would be in London (2004) and would like to deliver a copy of the book. It was affirmed I was to enter by the side of Buckingham Palace via the staff entrance. A few weeks later, I got a letter thanking me for the book and saying Her Majesty was most interested in the inspiration for the book about my little dog.

What is the most difficult part of the writing process?

The idea. Coming up with the idea. Then the doing of it. Finding the word; then finding the exact word to describe what you mean. Writing is intellectual prison. I’ll do anything NOT to do it; then once I begin, I can’t do anything else. When in the creative mode of the work, I say ‘no’ to a lot of social invitations. This is very hard because I’m basically a gregarious person.

Does writing come easy?

Sometimes; usually not. But you keep going. It has to become an obsession. You become addicted to your own words. And it flows.

Where do you keep future ideas? Computer? Notebooks? Pieces of paper?

I’ve lots of notebooks with ideas. Big notebooks; little notebooks. And scraps of paper. Will I ever get to them? Who knows? Maybe just one sentence from something looms, and I’ll use it, once I can find it.

What is the best writing advice you ever got?

Stop writing on your Brother Electronic typewriter and buy a computer. The best writing advice was from author, screenwriter, Joe Schrank. When I first started writing or rather ‘thinking’ I was going to write, I didn’t really know how to do it. He told me, because he liked the title: “If you don’t do something with it, I’m going to do it.” I didn’t like that, so I got busy. He also said, “Put aside 2 hours a day to start. That’s all. Clear everything off the desk, and just do it.” I did. By the way, the title rarely came first after that time. Usually, there’s a provisional title and then after the work is finished or nearly finished, the real title comes to me.

What is the first story you remember writing?

I remember the first story – I was 13; 1953. I don’t remember what grade I was in. I still have it. I got an A minus. “The Will to Dance.” I don’t know where it came from because it’s about a ballet dancer. I’m not a ballet dancer. Anyway, I actually used it in my Sacha book! So nothing is wasted.

What other books have you written?

Max and Sacha, of course, and The Australian Featherweight; The Noble Thing. Plays: George; In Between.

What last words would you leave?

I think you mean literally the last words and not the last words of this interview. In my book, Dancing at all the Weddings, my main character is at her mother’s side as she is dying. Mother’s last words to her daughter: “If you use a public toilet, remember to hover.” My last words will be: Stay curious.

Click here to read the first chapter of: Dancing at all the Weddings

Click here to read an excerpt of: Dancing at all the Weddings

Click here for an interview with: Elaine Richman, Heroine of Dancing at all the Weddings

One Response to “Susan Surman, Author of Dancing at all the Weddings”

  1. Sheila Deeth Says:

    Wow. Loved that story about your dog and Queen Elizabeth–well, about your book too! Cool!


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