JB Kohl and Eric Beetner, authors of “One Too Many Blows to the Head” and “Borrowed Trouble”

What are your books about?

EB: One Too Many Blows To The Head is a crime/noir novel set in 1930s Kansas City about an ex-boxer, Ray, who manages his brother’s boxing career. He watches as his brother is killed in the ring during a fixed fight. He sets out into the night to find those responsible.

At the same time Detective Dean Fokoli, who has serious issues of his own he is dealing with, is assigned the case of why so many in the boxing underworld are turning up dead. From there we get the cat and mouse chase through the nighttime streets of Kansas City from both perspectives.

JB: In Borrowed Trouble, the sequel to OTMB, Ray ventures from the house he’s been hiding in for the past year to seek the help of Fokoli, the cop who tried to put him away. Ray has received a package from his sister—one he never before knew existed—a sister who needs his help. Together, Ray and Fokoli travel to L.A. and stir the soup that is Tinsel Town. The stuff that floats to the top isn’t what anyone expects.

What inspired you to write this particular story?

EB: While Jen and I were brainstorming ideas of what to write together I hit on the idea of writing both sides of this crime. I write the character of Ray and the idea came from close to home for me. My grandfather was a professional fighter in the 1930s, and his name was Ray. Even his last name, Ward, is a shortening of my grandmother’s maiden name. Everything after that is entirely made up. I don’t want to smear his good name by implying he’d be involved in any of the mayhem that happens to Ray in the book.

At least not that I am aware of . . .

JB: By the time we hit Borrowed Trouble we were well-acquainted with our characters. We knew that they could go forward as a team because they were each good men at heart, flawed, but good. To put these 2 guys in a “When Good Girls Go Bad” type novel was easy to do. We both like crime/underground stories. It was a good fit.

Tell us a little about your main characters. Who was your favorite? Why?

EB: Ray was a decent boxer, but saw more talent in his little brother, Rex. He has a complicated relationship with his abusive father who skipped town years before. He views life like a boxing match, and he is prone to bursts of violence because of it.

When he sets out to seek vengeance on the men who killed his brother, he really is doing it out of a skewed sense of heroics. His personal definitions of what is justifiable in the name of justice get him into a world of trouble.

In Borrowed Trouble, he is again the driver of the “rescue” of a sister he didn’t know he had, but along the way his methods skim the line of what is morally questionable. He realizes his own shortcomings and his tendency for things to devolve into violence, and he is remorseful, but ultimately he finds he can’t always control it. And quite often he is fighting for his life, and the lives of others, from very bad men.

The biggest challenge was to write a guy like Ray, who does some questionable things, and make him sympathetic and likable.

Same thing with Fokoli, which is why I like what Jen did so much. Fokoli is a guy with deep flaws, and yet you end up rooting for these two damaged men in whatever they get up to.

JB: Of course when you create a protagonist, you can’t help but love him a little bit, you can’t help but want him to succeed in everything he does. I liked Eric’s character, Ray, because I felt as if everything he did, no matter how horrible, was justified. I wanted him to succeed. I wanted him to have a good life when it was all said and done.

Fokoli was the same for me. I wanted him to have a good home life, a good career. I wanted him to succeed in his endeavor to give up the crooked ways responsible for his current dilemmas.

Having said all of that, sometimes, when you write, you just wanna make a character who’s bad, a guy who can do whatever he wants and get away with it. You wanna make a guy who is the compilation of every frustration, every traffic jam, every broken dish, every case of PMS, and you wanna give him free reign. So I gotta say, for that reason, I like Baron. In Borrowed Trouble, Baron was the kind of guy who killed to prove a point, killed because he had a headache, killed just because he had a bad day. Now, before you go taking me out of context, let me just say that I am very much a non-violent person. I’m gentle, loving, kind. Do I like Baron? No. Not particularly. Do I aspire to be like Baron? Not at all. But I think he came out being a truly evil character and that is what I like about him.

How much of a story do you have in mind before you start writing it?

EB: We outline in a very skeletal fashion. We know where the story is going, but whole chapters can be summed up in a line or two just to get the geography and timeline straight before we head off to write our chapters.

If anything needs to change along the way, though, it can and does. Borrowed Trouble took a few sharp left turns as we were writing. But you go with what is working and often a character or scene the other writer comes up with sends your own imagination in a different direction. I hate to use to tired old, “Like improv jazz” analogy but it’s not too far off in our case. I’ll say we have sheet music, but we like to go off on a solo every now and then.

JB: I agree. We do outline. And we outline by volleying back and forth. Then we swap chapters. We did a blog post once and one of the folks who left a comment did, in fact, liken what we do to being musicians jamming in a garage. What Eric and I do isn’t exactly like that, but I can see where one would come up with that comparison. We both have characters who we’ve created and who we each, for the most part, are responsible for. If you’ve read our books, you’ll notice in OTMB, we were very separate. The book was very much 2 parallel stories running simultaneously, the hunter and the hunted. Borrowed Trouble let us into uncharted waters with each other, giving us more and more overlap with one another’s characters. Outlining, I feel, became more important at that time. Being able to write like Eric writes became more necessary, making sure Ray sounded like Ray was more important in that book because he was being written from Fokoli’s point of view. Because of that, outlining was a little tighter in that book.

What was the most difficult part about writing the book?

EB: Waiting for Jen to finish her chapters so I could read them.

JB:  Hmmmm. If I take myself back all the way to the first book we’ve written together (We are on book #4 now, 2 published thus far), I would have to say that in the beginning, with OTMB, it was letting someone I barely knew read my raw, first draft. That’s a very personal, vulnerable thing to do. It’s hard to remember ever feeling that way because now we just work. We outline a book, we make a plan and we move on it. But initially, way back when, it was stressful.

Do you prefer to write at a particular time of day?

EB: I’m a night writer. It is the only time I get with my work schedule and my two kids. I like it though. I wonder if I ever wrote full time if I’d ever do it during the day.

JB:  More and more I’m a night writer as well. Three years ago, four, I probably would have laughed at the thought of me writing at night. But . . . life takes over. Day jobs take over and rule my time, for better or worse. I, like many, many writers out there, burn the midnight oil in order to get those few precious words on paper before I fall asleep at night.

What was the first story you remember writing?

EB: Not too long ago I found an early story in a batch of old school work and papers my Dad saved. I was nine or ten, I think. It was a crime story about a kidnapping and car chase. I found it hilarious to find a crime story from so long ago. I guess I was destined to write this dark material.

JB: John, The First-Time Quarterback. That was my first foray into the world of, what I like to call, “Unassigned Writing.” I was 9 years old. Fourth grade. I still have the story. I invented the word “whiskly” in it. For those of you who don’t own my dictionary, whiskly is a combined word for briskly and whisked and fast.

Does writing come easy for you?

EB: Yes. I never quite understood the people who wring their hands and struggle with writing. It’s fun to me. If it wasn’t fun, I wouldn’t do it. I was a screenwriter for years and have written sixteen feature length screenplays and a number of shorts and a few episodes of TV.

Knock on wood, I’m never short of ideas. Sometimes too many.

JB: Yes and No. I don’t struggle with the writing, I struggle with finding/making the time to write. I love writing. If it was something unpleasant, I wouldn’t do it.

What advice you would give to an aspiring author?

EB: Just do it. Don’t talk about writing. Write. Don’t read advice about writing. Write. Write a whole lot and know you will throw it away. If no one reads the first thing you write, write something else.

Personally I don’t like classes, writers groups, critique clubs or anything like that. It works for some people, not for me. That’s another big one – there is no correct way to write, only what works for you. And you won’t know what works for you unless you buckle down and do it.

JB: Pencil to paper, hands on keyboard. Whatever you need to do to get words on paper or on the screen. Sit your butt down and do it. No excuses. Life if short. If you want to do it. Do it. Don’t do it for millions of dollars. Don’t do it for fame. Do it because it’s what you want to do.

Have you ever had difficulty “killing off” a character in your story because she or he was so intriguing and full of possibility for you, his or her creator?

EB: If that were the case I’d never get anything written. In our books, no one is safe!

JB: Nope. No problem. That’s not to say I won’t ever have a problem, but I’ve killed off plenty of people in all my books, and it was always the best thing for the book.

What is your goal for the book, ie: what do you want people to take with them after they finish reading the story?

EB: I want readers to have a thrilling time and maybe tear a few pages because they are turning so fast. All the feedback we’ve gotten has been so positive and we’ve heard exactly the kind of response we really wanted from readers. Namely, that they were riveted to the story, that each chapter had them hanging and wanting to know what happens next, and that the surprises in the books gave them real shocking moments.

Especially in One Too Many Blows To The Head there is one big twist that so far, no one has seen coming. That is very gratifying.

JB: When I read I want to be entertained. I don’t want to be preached to. I don’t want to have to swallow someone’s opinions. I want to have fun, maybe be a little scared, maybe fall in love a little, maybe worry, maybe cry. I hope my writing gives a little of that to the readers who take a look at my work.

Who designed your cover?

EB: I did for both One Too Many Blows To The Head and Borrowed Trouble. The artwork on One Too Many was painted by a good friend of mine named Marc Sasso who is a professional artist and he did a huge favor by slumming it and knocking out the incredible painting. I sent him some reference photos and described what we wanted and he nailed it. I added the type and layout.

For Borrowed Trouble, the plot centers around a mysterious can of film so I like the idea of using that as a visual motif. I lifted the image of the man fighting with a woman from an old public domain pulp magazine from the 1950s. Again, I did all the layout and Jennifer and I gave notes and tweaked until we both liked them. It was quite easy, as everything with Jen is.

Is there anything else you’d like to tell us about yourself or your books?

EB: I’m so glad our partnership has continued. The writing is effortless and so fun and I’m so proud of the books we’ve created. I really can’t wait until we get this next series out there. The books are a little lighter and fun. It’s actually been a struggle sometimes for Jen and I rein in our darker tendencies.

I’m grateful for the chance to be around in this new era of publishing. It has allowed me to get a great deal of work out there for readers to find. I’m not breaking the bank, but I’ve met so many great people and many of my heroes in the crime writing field and it is amazing to have them consider me a peer.

In this time of indie publishers like Second Wind hard work and tenacity really pays off. The really motivated writers with talent can make a splash without waiting around for someone to let you in the gate.

Above all, I hope people continue to find the books and get in touch and let us know what they thought.

JB: I think we’ve covered everything that needed saying!! We have the perfect partnership–no midnight phone calls, no creative arguments, just the writing–the great writing. I’m proud of the work we do together.

Second Wind has been a great home for us and our works.

The Authors of Second Wind Publishing

I thought a fun way to introduce the authors of Second Wind Publishing, LLC (or at least the ones who wanted to be introduced) would be to have them answer three simple questions so you can see how different authors perceive themselves and their writing. The questions:

1. What is writing like for you?
2. What is the most thrilling thing about getting published?
3. What is the most humbling thing about getting published?

Nancy A. Niles, author of Vendetta:

1. Writing is something that I can’t not do. It’s my best friend, sometimes a pain in the neck, but most times just something that I need to do for my own peace of mind.

2. The most thrilling thing about getting published is the encouragement it has given me to keep writing and keep allowing myself to express more freely and deeper. I think all those rejection slips had an effect on me and now being published is having a strengthening and very positive effect on my writing.

3. The most humbling thing about getting published is knowing that for a few hours the people who read my novel will be taken away from their problems and be in my world. It humbles me to know that for just a short time I can give them a little escape from their troubles. It is quite a blessing.

Laura S. Wharton, author of The Pirate’s Bastard:

1. Writing is like exercise. Sometimes, it’s really hard to get up at 4:00 in the morning to begin writing…the warm covers are oh so snuggly. Other times, the adrenalin rush about an aspect of the story-in-process surging through me has me up at 3:00, sitting still for three hours, and then reluctantly stopping so I can prepare myself and family for the work/school day ahead. Like exercise, it has to be done nearly every day to accomplish anything close to completion.

2. The most thrilling thing about getting published is reading reviews from unknown readers – and seeing that they really loved my story.

3. The most humbling thing about getting published is seeing typos after publication of what I thought was an error-free book.

Nichole R. Bennett, author of Ghost Mountain:

1. Writing is in my blood. I don’t mean that I come from a long line of authors, because I don’t. But I have to write. I have to get those words out of my body and onto paper. Some days those words flow and there is no stopping them. Other days I struggle over each and every letter. Either way, writing is something I have to do. Just like eating or breathing.

2. The most thrilling thing is knowing that I am living my dream. Yes, it can be hard, but this is what I want to do and I’m doing it. How many people can truly say they get to live their dream?

3. I’m not sure there’s a humbling moment for me. I knew going in that writing would take some thick skin and hard work. I knew not everyone would like my work or appreciate the time and energy that it took to get where I am. That’s okay. I’m just grateful for the opportunities I have had and that there are people who do like it!

J. Conrad Guest, author of Backstop: A Baseball Love Story in Nine Innings and One Hot January:

1. I haven’t found anything that provides the level of satisfaction writing provides me—the highs of crafting a perfect sentence, of self-discovery and exploring the universal themes of love and loss, dying and death, salvation, redemption, and keeping my parents alive and making them proud.

2. As writers, I think we all believe our work is the greatest since Hemingway, and seeing our work in print is affirmation, a thrill, that our work has merit—even if it isn’t really as good as Hemingway.

3. I find nothing humbling about getting published (I write with publication in mind), save for the process. By the time I receive my first proof copy, I’ve gone over my manuscript a dozen times or more and have probably a half-dozen drafts. An editor has gone over it, found several typos I’ve missed, and made suggestions for changes—some with which I agree, but most I discard. So I find it maddening and, yes, humbling, when I start reading my proof copy and find ways to improve the narrative, to rewrite a passage and, worst of all, I find a typo! I’m a perfectionist, so, yes, it’s humbling to learn I still can improve upon the process.

Eric Beetner, co-author of One Too Many Blows to the Head and Borrowed Trouble

1. Writing is lonely and tiring. Even writing as a part of a team like I do with Jennifer is still lonesome. We live on opposite coasts and only communicate through email. I never show anything to anyone for critique. Never let early drafts out to the public. So having her around is also an act of real trust. We show each other our naked first drafts and still expect that we’ll respect each other in the morning.

2. I find that it is too easy to only hear from a friendly audience of family and friends so the biggest thrill for me is when a total stranger says or writes something good about my writing. I know it is genuine. Being published lets that person have exposure to my work and find something in it that resonates or entertains. That’s why we’re here, right?

3. Oh, brother, what hasn’t been? I’ve had signings at book stores I respect (and where I shop) I’ve been in panel discussions alongside authors I admire. I’ve met writers as an equal – a fellow published author, not just a fan. All that has made me feel grateful beyond words.

Lazarus Barnhill, author of The Medicine People and Lacey Took a Holiday:

1. A few years ago I came back to writing fiction after a self-imposed twelve-year period during which I did not write, and found about twenty ideas of books rattling around in my head. My first official act was to get a notebook and list the novels, outlining them to the degree they had “marinated” in my imagination. For me, writing is getting out of the way and allowing those stories that germinated so long ago to take root, flower and bear fruit.

2. The thrill comes from somebody you don’t personally know buying a book, or seeking you out intentionally at a book signing. It’s also thrilling when someone asks you a question about your story in such a way that you know they have read it with comprehension.

3. A couple things strike me right away. First is the praise I often get from my colleagues. When another writer whose work I admire compliments my work in a way that reveals I’ve accomplished precisely what I set out to do in the story—that is humble. The second thing is when people I know hunt me down and pester me until I get them a copy of one of my books. And sign it to them personally. I’m not accustomed to adulation.

Lucy Balch, author of Love Trumps Logic:

1. Writing is like I’m in a time machine. I can work for hours on a story and it always feels like much less time.

2. The most thrilling thing about getting published is the knowledge that, finally, I’ll have something to show for the five years I’ve put into this obsession. Maybe I haven’t been selfishly squandering huge amounts of time?!

3.The most humbling thing about getting published is the realization that so many good writers have not yet been given the opportunity to publish. Is my book worthy of the privilege? As an unpublished author, I can always tell myself that my book will be well received when given the chance. The reality might be different. I hope not, but it’s a possibility, and once a book bombs there is no going back to the fantasy of it doing well.

Juliet Waldron, author of Hand-Me-Down Bride:

1. I write historicals, so writing for me is like entering a time portal—or, sometimes, like stepping out of Dr. Who’s callbox after accidentally pushing the wrong button. I have an idea of what may be there when I first look around, but I often find the world I’ve entered to be surprisingly different from my preconceptions.

2. The most thrilling thing about getting/being published is having someone you don’t know leave a message or write a review that totally “gets” the book. Shows I wasn’t as off-base as I sometimes—in those dark 3 a.m. moments—imagined.

3) The most humbling thing about getting/being published is that we have so much competition, and that there is a great deal of good writing out there. After publication there is the (IMO) far less agreeable marketing to do. The playful creation is now complete.

Claire Collins, author of Images of Betrayal and Fate and Destiny:

1. For me, writing is a journey. I don’t always know the final destination until I start traveling, but it’s always a rewarding trip.

2. The most thrilling thing about being published is when people read what I’ve written and they like it. I write for myself because writing is almost a compulsion for me. Readers enjoying my writing is a bonus.

3. The most humbling thing? All of the work it takes to get the books out and maintain a normal life while still trying to write. I realized pretty quick that I wasn’t superwoman. I’m still trying, but someone keeps standing on my cape.

Mickey Hoffman, author of School of Lies:

1. For me, writing is like being in that space just after you woke up from a dream but you only remember half of the dream and you spend all your waking moments trying to flesh it out.

2. I had some stories to tell and now I feel like they’ll be heard. And it really is thrilling. I feel like I’m white water rafting and I don’t need a boat!

3. I’ll be awed that anyone would take the time to read what I’ve written when they could be doing something more valuable with their time.

Deborah J Ledford, author of Staccato and Snare:

1. I am an entertainer. I don’t write for a cause or to pose my own thoughts or impressions on issues. My only function is to provide a suspense-filled, exciting ride the reader won’t want to stop until they reach the very last word.

2. The most thrilling thing about being published is seeing the words I’ve worked so diligently to craft actually in print. If what I present happens to be worthy enough for readers to tell others about Staccato, that’s all I could ask for.

3. Everything about being published is humbling to me. That readers would seek out Staccato, then take the time to escape from their lives for a while, makes me more grateful than anyone could possibly know.

Sherrie Hansen Decker, author of Night and Day, Stormy Weather, and Water Lily:

1. For me, writing is like a dream vacation – a chance to escape the realities of my everyday life and travel to some faraway world where I can see the sights and meet new people.

2. For years, I wrote and wrote, wondering if anyone would ever read my words. What a wonderful feeling to be writing for readers who are eagerly awaiting my next release!

3. Every time I think I have a perfect draft, I find more errors glaring out from the pages of my proof. Very humbling . . .

Norm Brown, author of The Carpet Ride:

1. As a retired computer programmer, I see a lot of similarities between writing a novel and creating a complex software program. Both processes require an enormous attention to detail. All the little parts have to tie together in a logical way and a good flow is critical. And it’s hard work to get all the “bugs” out of a book, too.

2. The most thrilling thing for me was pulling the first copy of my book out of the box and holding it in my hands. It was exciting to see something that I actually created.

3. The most humbling thing for me about being published was discovering how much I have to learn about promoting my book. I’m still learning.

Jerrica Knight-Catania, author of A Gentleman Never Tells:

1. Writing for me depends on the day. Some days it’s the most wonderful romp through my dream land and other days it’s like getting a root canal.

2. Knowing that someone else believes in your work enough to put it in print is just about the most thrilling feeling. It’s great to hear friends and family say how much they enjoyed my work, but to have it validated by professionals is a whole ‘nother ball game!

3. I’m not sure I’ve been humbled at all! Haha! But I’ve never really had unrealistic expectations of myself or my work. . . . I’m prepared to correct mistakes and make cuts/edits as needed. I’m just grateful every day for the opportunities I’ve been given.

Dellani Oakes, Author of Indian Summer and Lone Wolf:

1. Writing is like a discovery process. I start with a beginning line, an idea or even just a character’s name and watch as the characters lead me where they want me to go.

2. I loved the fact that I finally was validated. Someone did think I was worth publishing and I wasn’t just “Wasting time with all that writing.”

3. Humbling? Wow, I think the most humbling – perhaps humiliating – step in the publishing process is all the rejection you get until someone finally says “Yes, we want you!”

Margay Leah Justice, author of Nora’s Soul:

1. For me, writing is like creating a baby. There is the conception (what a wonderful idea!), the writing/rewriting period (gestation, anyone?) and the birth (I can’t believe it’s finally here!). And then you nurture it for the next couple of years as you slowly introduce it to the public – and hope they don’t think it’s an ugly baby.

2. The most thrilling thing about getting published is the sense of accomplishment when you see it in print for the first time and you discover that people actually like it!

3. The most humbling thing about getting published is seeing the book in print for the first time and realizing that all of those years of struggling, writing, rewriting, submitting – all boil down to this one little book that you can hold in the palm of your hand.

Christine Husom, author of Murder in Winnebago County, Buried in Wolf Lake, and An Altar by the River:

1. Writing is multi-faceted for me. It is a joy, but also pretty hard work at times. I do much of my writing in my mind and when I finally sit down to get it on paper, it often comes out differently. I spend more time mentally forming plots and picturing scenes than I do writing them. I love having a whole day here and there to sit at my computer and concentrate on writing. If I have problems with a scene, I skip ahead to the next one so I don’t get frustrated.

2. The most thrilling thing about being published is getting my books out of my house and into readers’ hands–hoping people get some enjoyment reading them.

3. The most humbling thing about getting published is seeing mistakes and typos in what I thought was an error-free manuscript!

Amy De Trempe, author of Loving Lydia and Pure is the Heart:

1. Writing for me is like unmapped journey, I never know what turns, obstacles or excitement is about to unfold.

2. The most thrilling thing about getting published is seeing my name on a book cover.

3. The most humbling thing about getting published is finding out how supportive and happy my friends and family really are for me.

Mairead Walpole, author of A Love Out of Time:

1. In some ways, writing is a form of therapy. Not from a “work out my issues” standpoint, but rather it allows me to escape from the day to day stresses of the world. I can let the creative, sometimes a little off-beat, imaginative part of my soul off the leash and let it run. Some of my very early writing did dip into the realm of “working out my issues” and those stories will never see the light of day!

2. Can I channel my inner Sallie Fields and run around saying, “They liked it, they really liked it…”? No? Darn. Seriously, I think it is the whole – I did this – aspect. Someone read the book and thought it was worth publishing. That is pretty cool no matter how you cut it.

3. Opening yourself up to criticism, being vulnerable. Sure, you know that not everyone is going to love your book, and intellectually you know that some people will hate it and think you are a hack, but when someone actually expresses that to you it is a whole new experience. It can be very humbling.

Suzette Vaughn, author of Badeaux Knights, Mortals, Gods, and a Muse, and Finding Madelyn:

1. I’m like a humming bird on too much caffine. I write in waves. When the wave hits I can put out several thousand words in an unbelievably small amount of time. Then when I’m not in humming bird mode I edit.

2. The most thrilling is probably the fact that there are people out there that I don’t know that have read my book and liked it. I had the pleasure a few times of meeting them and there is some twinkle in their eye that is amazing.

3. My son is always humbling. I recieved my proofs in the mail and my then seven year old son didn’t fully understand what it meant that I’d written a book. He flips through the pages looking for hand-writting. “I get in trouble when I write in books.”

JJ Dare, author of False Positive and False World:

1. Writing is like being in a triathlon for me. I power write for days or weeks at a time, then crash for awhile with the help of Tylenol and chocolate. Writing is a scary, exciting roller-coaster. It is exhilarating and draining, and Iwouldn’t do it any other way.

2. The most thrilling thing about getting published is the very act of being published! Something I wrote is out there, available for anyone to read. Holding the hard copy of my book in my hands gives me the good shivers. The other thrill is the pride in my family’s voices when they introduce me as “The Writer.”

3. The most humbling thing is feeling responsible for the places I take my readers. During the time they’re walking with and living the lives of the characters in my book, my readers are taking the same roller-coaster ride I took to write the
book.

Pat Bertram, author of More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I:

1. For me, writing is like the world’s longest crossword puzzle, one that takes a year to complete. I like playing with words, finding their rhythm, and getting them to behave the way I want. I like being able to take those words and create ideas, characters, and emotions.

2. Someday perhaps, I will find the thrill of being published, but to be honest it was anti-climatic. I am more thrilled at the thought of what the future might bring now that my books have been published.

3. I had no intention of answering these questions. After all, I was the one who collated all these mini interviews, but a fellow author said, “This is your party, too. People will tune in because of you. They want to know more about YOU. Don’t cheat your fans and followers.” Now that’s humbling.

Click here to read the first chapters of all Second Wind novels: The Exciting Worlds of Second Wind Books