Interview With Author Donovan Galway, Author of “Uriel’s Gift”

Uriel's GiftWhat is Uriel’s Gift about?

Environmental terrorism, the self-destructive insanity of the human race, multi-national corruption and greed, murder, and a young terminally ill girl with enough love in her heart to risk everything to help a dying fairy.

What inspired you to write this particular story?

The cover art. I did an image of a dying fairy and my wife and I spent a few hours on a beach in Spain talking about what might have killed her, if she was the last of her kind and whether or not we’d even know if the fairies were gone. We have driven many other species to extinction, some with severe environmental consequence. What would be the penalty for this one and are we next? She has been a strong influence in most of my story lines and character development, but this was the first truly joint effort she and I completed and the diversity of the characters and complexity of the story reflects the pair of creative minds merging.

Do you always design your own covers?

Yes. My first publisher had one of his artists try it and I showed them what I wanted. I’ve been doing them ever since. I’ve done a few for other authors.

Tell us a little about your main characters. Who was your favorite? Why?

This story has so many strong characters, the mysterious stranger with the rapier wit, the hard-nosed detective with the dark past, the cruel mother and the devoted father who was creative to a fault. But I think my favorite has to be Karen Gabriel. She started out as a cold and fiercely driven loner but evolved into a passionate, adventurous heroine, retaining the intelligence, drive and incorruptible spirit of the original character and adding to it with concern for the environment and for people she didn’t even know, for passion and love of companionship, and a willingness to embrace the worst of her past and use it to grow. Her journey leaves me wondering what she’ll do next.

Who is your most unusual/most likeable character?

Terrence the hunter. He is by his own admission superior to humans but learns to envy them for their simple complexity. Ageless and timeless, he knows everything and shares with Mike the origins of the universe and our place in it. He changes from villain to hero to comic relief and back during the course of the story, keeping the reader wondering if they’re supposed to fear him, respect him, cheer for him or hate him. The one consistent feeling is that they like him start to finish.

At what age did you discover writing?

25. I was in school studying journalism and found myself writing papers for upper classmen. I wound up writing different things. News articles and commentaries, advertisements, short stories, poems and prose. I changed my major to literature and was soon inspired with the foundation for my first novel.

Does writing come easy for you?

God no. It’s often agonizing. But I can’t imagine NOT writing. Even the brief period between works is painful and the writing soon starts again whether I like it or not. That it’s hard is not the issue. A manager I knew once told me “Any job’s hard if you apply yourself.”

Do you have a favorite snack food or favorite beverage that you enjoy while you write?

Cheez-its. Almost impossible to find in Northern Ireland but they got me through studies, all-nighters and creative marathons.

What was the first story you remember writing?

“The Sentence” Terrible rushed, poorly structured psychological thriller with two-dimensional characters. I would have given up if it hadn’t been plagiarized and re-released. If they thought it was worth stealing, I must have done something right.

Who gave you the best writing advice you ever received and what was it?

When I finished my first, albeit unpublishable book, my mother asked me why everyone in the book was me. “How long can someone walk around with clenched fists and clenched teeth?” By learning to how to create diverse, credible characters, I learned how they could turn the story, add depth, surprise me. Take a group of people and place them in an exceptional situation. The greatness in the few quickly separates them from the masses and you have your heroes.

How many stories do you currently have swirling around in your head?

2⅔. I’ve got a murder mystery based on actual events that has to come out soon. I’ve got a period romance set in the pioneer days of early America, and a re-working of one of my original pieces that never received proper distribution efforts despite being a great story. I love the characters in this one and need to get it out there.

What do you like to read?

Techno-thrillers featuring eco-warriors.

What writer influenced you the most? Benchley. The master of suspense, he rivaled Hitchcock in his ability to show me the world through the eyes of the hunter and the prey.

What one book, written by someone else, do you wish you’d written yourself? The God Delusion by Richard Dawkins. He said what I think every time someone tells me what I should believe.

If your book was made into a TV series or Movie, what actors would you like to see playing your characters?

Eva Longoria as Karen Gabriel, the powerful, beautiful, intelligent executive heroine who takes on the Mega-giant corporation.
Aaron Eckhart as Terrence, the mysterious, persuasive, sarcastic stranger searching for the last fairy.
Ben Affleck as intuitive and courageous private investigator Mike DeLago.
Jason Bateman as Will Billings, inventor, store owner and devoted father of Feryl Billings
Lana Parrilla as Pamela Billings-Trudeau, self-centered estranged mother of Feryl Billings.
Carl Urban as Dr. Everett Trudeau, tolerant step-father to Feryl Billings.
Daniel von Bargen as CEO Victor Albean.
John Leguizamo as reporter David Mercado
Ashley Greene as Uriel, the last fairy.

I wanted Elle Fanning to play Feryl but she went and grew up on me. Dang. Naturally, writing is for the story rather than film aspirations, but like so many others, I draw from real people, either in my life or in films to flesh out characters. It helps to be able to hear their voice or see the subtle expressions to know if you’re being consistent.

If you could have lunch with one person, real or fictitious, who would it be? Without question.

Muhammed Ali.

Donovan GalwayIs there anything else you’d like to tell us about yourself or your books?

Everything I write, published or otherwise, belongs to my wife. None of it would exist without her so I legally give her everything I have, regardless of its worth.

Where can people learn more about your books?

Second Wind Publishing website!donovan-galway/c1ap8 and the usual places. Amazon, Google, or by liking me on Facebook.

Interview with Josh Truxton, Author of “Alex, Peanut Butter, and Me”

downloadWhat is your book about?

The underlying theme of Alex, Peanut Butter, and Me is that sometimes the most insignificant act inflict the gravest wound. Recently divorced, Phil Hayes, marries the woman of his dreams, but a year later he stands at her grave with the intellectually challenged son from her first marriage, 20-year old Alex Patterson. Phil struggles to overcome the maze separating them.

Against the advice of his grown children and of his parents, he opts not to place him in a group home and walk away. The peanut butter loving Alex consistently clashes with Phil. He balks at having his mother buried, at having Phil for a guardian, and at other women who might enter Phil’s life.

Phil must discover the underlying hurt dividing them and find a way to close the wound.

What inspired you to write this story?

Many years ago, I met and fell in love with a woman who had a 15-year old son with intellectual challenges. I knew nothing about what he faced or the problems that she had overcome. I had never interacted with any inhabitants of their world. I learned to do so. I became involved with group homes and Special Olympics, and in the process came to admire the folks who make them viable and to understand the people who are unable to face up to that world. After writing six suspense novels I decided it was time to try a family saga. With two knowledgeable guides, it seemed a natural.

How much of yourself is hidden in the characters?

To be honest, I’m really not sure. Part of me is certainly in the main character, Phil. Especially the part about how ignorant he is, at first, about the world of the intellectually challenged. When I married, my wife told me that she didn’t want to change her son’s last name, feeling that he should have some tie to his father, who was unable to face up to the fact that he had fathered a less than perfect son. She also felt that a name change might be confusing for him to handle. Over the years, I have come to regret not having adopted him, and have struggled with how to explain our relationship to strangers. The word ‘stepson’ quickly became intolerable. My character, Phil struggles with this. The struggle comes right from my soul. In this novel it is the dagger that tears them apart. On the other hand, the character of Alex bears almost no resemblance to our son, except that both are involved with Special Olympics. He and I have never had to face the problems of my fictional characters.

Who are the most unusual characters in the novel?

For me, the most unusual character is the ghost of Phil’s dead grandmother with whom the journalist carries on telepathic communication. She is usually one step ahead of him and manages to keep him in line as in the chapter where Phil is expecting female company and he and Alex have a run-in. Just as Phil is reaching for his bottle of Johnnie Walker, she stops him, she asks what the woman will think if she arrives to find him “stewed, sloshed, crapulous?” Phil responds, “Crapulous, Grandma? To which she answers, “Yes, crapulous: it’s a perfectly good word. You’re supposed to be a writer. Look it up! I got it from Noah Webster. He’s up here too.” I had a fabulous time writing their encounters. Some readers may enjoy Phil’s quarrelsome relationship with his disapproving parents or his on again off again friendship with his outwardly crusty editor.

Why will the readers relate to the characters?

The situations that arise in this novel are not fanciful. They are the same earthly problems that most of us have had to deal with in the past. Few of us can say that we’ve been immune to the upside-down housing market, the ruptured economy, car trouble; unemployment, relationships that go sour, divorce, even dating problems. And I believe that many have someone in their family, who right now, is faced with the same kinds of challenges as Alex Patterson. And yet, taken in its totality, the novel is not depressing. The characters face their situations and find solutions. I believe it is uplifting

At what age did you discover writing?

While I tried my hand at a detective story at about age 17, I believe I was about 66 or 67 when I first began outlining the story that would become Path to a Pardon. (I do not always utilize an outline but with no formal training, it was the only way I knew how to begin.) In July 1998, when I was 68-years old it was copyrighted.

What was the first story you wrote?

A lot of novelists start out as short story writers. I didn’t know that when I first began to outline my story. I had heard something on the Evening News that interested me. I couldn’t let it go. The idea intrigued me so much that I began to construct a story based on that bit of fact and the age old author’s question, “What if.” 87,000 words later the novel was finished.

When were you first published?

In 2009 The Dan River Press published my short story, The Fence, in their Anthology. Later in 2011, I electronically published two novels, Path to a Pardon about a diamond heist gone wrong and The Eindhoven Strategy, an espionage/ suspense story, with both Amazon and Barnes and Nobel. A year later, with the same two venues, I published Palm Beach Style, a story of kidnapping and an armored car robbery in Palm Beach.

How many stories are currently swirling around your head?

I hope there aren’t too many because at the moment I am revising the third volume of a fictional trilogy, Adventures of Silent Sam, set against the background of the Revolutionary war that is intended for Young Adults and New Adults. At the same time I am seeking representation from Literary Agents for my novel, The Unvarnished Truth, a family saga about a family hiding from the FBI due to the father’s role in the slaying of Martin Luther King, Jr. And while all this is transpiring, I am creating another family saga, Where There is a Will . . . There’s a Relative. Not to mention, Keeping my Blog and my website posted in order to assist in the marketing of Alex, Peanut Butter, and Me.

Do you keep pen and notebook by my bedside?

The quick answer is, no. To do so would require that I turn on a light and risk waking my wife who is a light sleeper. I have however, been known to slip out of bed and tiptoe to my office on the other side of the house where with door closed I can turn on lights and write down ideas that might otherwise vanish with the dawn. I have also been known to keep a tape recorder by my pillow so I can escape to the bathroom and record my thoughts. I sometimes carry this device with me as I walk my dog.

Where can people learn more about you and Alex, Peanut Butter and Me?

To find Alex, Peanut Butter and Me, I suggest that readers go to my author page at Second Wind Publishing:!joshua-truxton/cizf

Readers can also learn about me as well as my books by going to my website:

To get my slant on the writing life readers may enjoy checking out my blog at:

Interview with Carrie Jane Knowles, Author of Apricots in a Turkish Garden

Apricots in a Turkish GardenWhat is your book about?

Apricots in a Turkish Garden is a collection of ten short stories that focus on a moment in time when a character has an insight into their life and what has happened. And, that insight changes the character.

Why will readers relate to your characters?

I work hard to create “real” characters. I want the stories to be like a window or a mirror. Readers often tell me that they feel like I have written about them or their families.

How much of a story do you have in mind before you start writing it?

I almost always start with a character rather than a situation.

Do you have any rituals that you follow before sitting down to write?

Whenever I sit down to write I close my eyes and spend a few minutes thinking about the characters in my story, trying to imagine what they are going to do next.

What’s your writing schedule like? Do you strive for a certain amount of words each day?

Writing and coaching writing is my day job. I have an office and I go to work everyday, Monday through Friday. I usually go to the gym before work, so I’m generally in the office ready to work by 10 in the morning and leave sometime between 5 and 6.

Writing today is also about promoting and some days the promotion end of the business takes over, as does the coaching, and I don’t get a great deal of time to write.

Ideally, I try to get at least one page of my own work written each day. I’m really happy if I manage to write two polished pages, i.e. pages that work and I don’t throw out the next day. Three would be a personal best!

How many stories do you currently have swirling around in your head?

Right now I’m working on two stories, one a short story and the other a novel I’ve been struggling with for the last two years. I’ve just had a real breakthrough with the novel, so hope to move ahead on that over the next couple of months.

The short story, like all short stories I write, will take several more months to draft then polish.

What, in your opinion, are the essential qualities of a good story?

A great character with an interesting dilemma/problem.

Where do you get the names for your characters?

I’m always on the lookout for character names. I keep note cards in my purse and jot names down whenever I discover a good one.

Names are really important to me. They have to fit the character, the time frame of the story, the location of the story, and the situation.

Do your characters ever take on a life of their own?

I hope so! When I create a character, I do my best to listen to them and to let them be who they want to be.

I have this theory I call the bad parent/good parent theory of writing. The bad parent is always telling the child what they should do and be when they grow up. The good parent encourages the child to grow up and be whoever and whatever they want to be.

I want to be the good parent.

Describe your writing in three words.

Character driven, surprising.

Where can people learn more about your books?

Apricots in a Turkish Garden is published by Second Wind Publishing. You can purchase it through Second Wind and also at Quail Ridge Books and through Amazon and Smashwords. You can learn more about me as well as my work on my website:

Interview With Chelsea Bolt, Author of “Moonshine”

What is your book about?

My book, Moonshine, is the tale of a young woman who has lost everything she loves. Having resorted to living hidden in the mountains, she is filled with many emotions and struggles to find her place in society, if it still exists. Meanwhile, two young men, Finn and his less than serious cousin, Clay, stumble upon Isis and her hideout. The novel follows the adventure that these three find themselves in. With small town tragedy encompassing them, they uncover the truths that have been hidden. Along the way, they meet much older and wiser guides that help these three young people through their own journeys. Various incidents make the relationship of these three stronger, even when the opposite appears to occur.

How long had the idea of your book been developing before you began to write the story?

I began developing the idea for Moonshine when I was sitting in Biology class in 10th grade. Eventually, I sat down with a spiral notebook and started writing about a month or so later.

Tell us a little about your main characters. Who was your favorite? Why?

Moonshine has three main characters: Isis Underwood, Finn Hazzard, and Clayton Hazzard. Isis has three primary characteristics: impulsive, brazen, and jaded. Finn can be best described as a silver-tongued fellow with a charming smile. Clayton Hazzard is simply, simple; he wanted no part in this venture he was thrown into. Of these three, my favorite character to write was Isis. She has so many layers, I haven’t even discovered them all yet. Her reactions are interesting to write, she has a whole spectrum that never land at the same place twice.

Who is your most unusual/most likeable character?

My most likeable character is Jeannie Seymour. She’s a guiding light for Isis, unaffected by Isis’s sassy tendencies. She, like Isis, has interesting past that has shaped who she has become. I wasn’t aware of how likeable she was until people asked me more about her.

What was the first story you remember writing?

The first story I remember sitting down to write was a paper I wrote in 7th grade about a group of dogs living in a junkyard. It was just a fun little short story. Our teacher wanted us to use dialogue in a paper she assigned, and I remember that as punishment for being so talkative in class, we had to write an extra two pages. At first I saw that as a punishment, but now I see that assignment as a blessing; that’s when I realized I could write an entertaining story.

Do you have mental list or a computer file or a spiral notebook with the ideas for or outlines of stories that you have not written but intend to one day?

Sitting in my desk drawers are cheap 90₵ spiral notebooks. Whenever I start to think of a storyline, I jot a few words down and doodle a few sketches of key themes I want to hit on in the piece.

What one book, written by someone else, do you wish you’d written yourself?

The one book I wish I had written would have to be Charles Frazier’s Cold Mountain. It is a beautiful piece of literature and I try to read it every winter. The tale of Ada an Inman is such a wonderful love story and I wish to be able to one day write something half as moving.

Describe your writing in three words.

In three words my writing is: honest, homespun, and heartfelt.

Do you have a saying or motto for your life and/or as a writer?

My motto for life is: “You never know what’s just around the river bend.” Think about it: you never step into the same river twice.

If your book was made into a TV series or Movie, what actors would you like to see playing your characters?

If Moonshine was made into a movie I would like for Clare Bowen (Scarlet O’Conner on Nashville) to play Isis, Robbie Amell (Stephen Jameson on The Tomorrow People) to portray Finn, and Reid Ewing (Dylan on Modern Family) to act as Clayton.

What is something you never leave home without (apart from keys, money and phone)?

One thing that I never leave home without is my trusty Dr Pepper Lip Smackers lip balm. If I ever do happen to forget it, my lips feel naked and severely chapped.

What is your favorite place, real or fictional? Why?

My absolute favorite place in the world is my grandparents’ house. Their home has so much character and so many stories behind it. There is a story for everything in that house.

Where can we learn more about you and your book?

It’s available from Second Wind Publishing:!chelsea-bolt/c1rby and Amazon, Barnes & Noble, Smashwords,


Rami Ungar, Author of “Snake”

snakeWhat is your book about?

“Snake” is about a young man (and I mean young) whose girlfriend is kidnapped over the phone. Later events cause him to have a break with his sanity and he becomes a serial killer, determined to hunt down every member of the mafia family that has his girlfriend. It’s a very dark thriller, and it’s very unusual to have the serial killer as a protagonist. I’m hoping that will allow people to enjoy the story more, though. Fingers crossed, at any rate.

What inspired you to write this particular story?

I guess maybe it was the movie “Taken”. Yeah, there are plenty of similarities, but it’s definitely it’s own story. That’s actually what I wanted: I wanted to create a much darker story than “Taken” portrayed, though that was pretty dark in itself. I like to think I’ve succeeded in that respect. We’ll see what the reviewers say.

What was the most difficult part about writing the book?

Probably time and school work. You want to devote all your time to writing, but inevitably things get in the way, and you end up taking several breaks. In the end it took me six months to write this book, though if I’d had more time to work on it, I might have gotten it done in half the time.

Tell us a little about your main characters.

First off, we have the Snake, our very unconventional protagonist. He’s gone through a great change, and it’s why he’s the killer he is now. I purposely did not reveal his real name in the novel, because I wanted to imply that we all could become like the Snake under certain circumstances.

There’s also Allison Langland, my main character’s girlfriend. Unlike other damsels in distress, she’s a bit more proactive. She doesn’t waste away in a cell hopeless or hoping to be rescued. She’s a fighter, and I love that about her. I think that’s also why the Snake loves her, come to think of it.

Did you do any research for the book? If so, how did you do it?

I did plenty of research on New York City, where the story takes place. I also did research on serial killers and psychopathy, the better to understand what sort of character I was constructing. I even had a forensic psychologist and profiler give me his diagnosis on the Snake based on crime reports I created. All in the name of authenticity.

What about your book might pique the reader’s interest?

Well, it’s an unusual story, so I think that might get people interested. And if people really take the time to check it out, I’m sure a few of them will end up enjoying the story and identifying with the characters. That’s the hope, anyway.

What are you working on right now?

I’m writing another thriller novel, as well as editing the sequel to my previous novel “Reborn City”. I’m also working on interviews, blog posts, and articles. As usual, I’m busy as a bee.

Are you writing to reach a particular kind of reader?

I guess I’m aiming for readers who like what I like. That means Anne Rice, Stephen King, and James Patterson, with a dash of manga and anime. Don’t know how many people are like that, but I’m trying to find them.

What, in your opinion, are the essential qualities of a good story?

I could probably spend hours philosophizing about that. There are many, many components that are needed to make a good story. But in brief, a good mastery of vocabulary, spelling, and grammar, a good plot and wonderful characters, and hard work will make for a good story.

What advice you would give to an aspiring author?

Read, write, work hard, and never give up.

Where can people learn more about your book?

Where Snake is available:


JoAnne Myers, Author of “Murder Most Foul”

Welcome, JoAnne. What made you want to be a writer?

I have always been able to write. I had a teacher who suggested I become a journalist, but I took a different route.

Who or what was your inspiration?

I don’t believe I had inspiration from any one person, it was just something I wanted and could do.

What made you decide to write your books?

I write what I am interested in, and Murder Most Foul, is a fictionalized book based on a true crime.

I then became inspired by paranormal movies and wrote Wicked Intentions.

My love for monster movies inspired Loves, Myths, and Monsters. This story seemed to flow from my imagination. It was a fun book to write.

Poems About Life, Love, and Everything in Between, was inspired by my life, including the good and the sad parts.

In The Crime of the Century, the victims and the perpetrators were my inspiration. This crime sent an innocent man to death row, before DNA set him free. This crime took nearly thirty years to actually solve and bring the right perpetrators to justice. It is still the worst crime and only double homicide in my small town of Logan, Ohio. No one had written about it at that time, and I was always fascinated by the case. It was very shocking and citizens still talk about it today.

Flagitious came about while I researched The Crime of the Century and is loosely based on true crimes from my area. I discovered these crimes while watching the news.

How long does it take you to write a book?

My first true crime book The Crime of the Century, took several years to write. I had to have all the facts correctly, so I scoured newspaper clippings, courthouse documents, and witness and police statements. Writing true crime turned out to be more time consuming than I realized. But it was worth the effort. I really enjoy true crime stories. Some stories took only a few months. Fiction is much easier in my opinion then biographies.

Do you have a dream cast for your books’ characters?

With true crime books I of course use the real characters. How the crime actually took place, and what the victims went through. The fiction books I use imaginary names but some of the characters characteristics come from actual persons I have met over the years. When writing about monsters, a writer can pretty much say anything about the character. In some vampire stories, the vampire can fly, and in other stories they can’t. It depends on the writer and what he or she wants the monster to do, such as their weaknesses and strengths.

Where can we learn more about your books?


“Murder Most Foul,” solving a double homicide is pure murder for F.B.I. Agent Walker Harmon. Available in EPub, HTML, PDF

“The Crime of the Century” this true case from 1982 terrified residents and destroyed families.

“Loves, Myths, and Monsters” 11 fantasy tales entwined within the human world

Rochelle Potkar, Author of The Arithmetic of Breasts and Other Stories

What is your book about?

This is a cluster of 7½ literary short stories exploring the romantic-sexual facets of its characters.

Narain who lusts for Munika, hypnotized by her bosom, and old Jaganlal who wants a favour from young Dia. Jackie who falls for Nic who in turn is falling for Lee, and a cosmetic surgeon who is changing much more than Sneha’s hairline, nose, lip and chin.

Shonali and Neel who are realizing that infidelity might not be such an easy thing, and a woman who walks a tight rope between temple tradition and sexual exploitation.

And, Sunil who meets the woman of his desires through an adult dating site.

How long did it take you to write your book?

I had written many short stories over the last five long years and it was time now to put some of ‘em together.

How much of a story do you have in mind before you start writing it?

It varies with every story. Sometimes, I have the whole idea down. Sometimes, a wisp. Sometimes, an epiphany so fleeting that if I blink, I miss it. Sometimes, what I have is the ending and then I have to go and find its beginning. So it’s all tricky.

Do you think writing this book changed your life? How so?

More than writing, the decision to collect these stories together and present them as a book changed something in my life. It’s the feeling that I have been in a closet for long and now I’ve come out.

How does your environment/upbringing colour your writing?

I am an Indian, living in India. I have travelled internationally but I’m basically rooted to one place, one space, one armchair by the window. This has provoked the frog in me to view outside the well. I do draw my characters from people around me but my stories are a little unhinged from my where I live. They seem floating, ready to hinge anywhere. So I can’t say my writing is very Indian or country-specific. That’s a good and a bad thing, I suppose.

What are you working on right now?

I have been working on a speculative novel for a while. 2 years. Only now it seems to settle down like dust. I hope to have it out by 2014.

What writer influenced you the most?


What are your current writing goals and how do you juggle the promotional aspects with the actual writing?

When writing I have to lose myself and become 0%. When marketing I need to be aware of selling whatever can be sold. So I have to become 100% aware of saleable things around me. This constant journey between invisibility and visibility is very funny, actually, swinging from one end of the continuum and back.

What are your future plans? What will you bring to the literary world besides more stories?

I see that there will always be rude, bad, hateful, distasteful people around and to balance them kind, soft, fine people in this unarticulated battle.

Art generates empathy and compassion.

But other than endlessly generating that in saleable products with price tags or preaching to the converted in echo chambers, I hope to someday tangibly touch another person’s life by doing something concrete for them with the little empathy and compassion I have. This can come through social work. And I am planning for it.

What genre are your books?

My writing alternates between speculative and literary. Speculative to me is when there is a lot of magic in it and it is off the ground. Literary is grounded. But these are simplistic definitions. Stories are subjective and the definition of it falls in nebulous boundaries. There I go again…nebulous and boundaries don’t go together!

Where can people learn more about your books?

The Arithmetic of breasts and other stories, is available on:


You can visit my website my virtual residence too at: Welcome!


Pat Bertram is the author of the suspense novels Light Bringer, More Deaths Than One, A Spark of Heavenly Fire, and Daughter Am I. Bertram is also the author of Grief: The Great Yearning, “an exquisite book, wrenching to read, and at the same time full of profound truths.” Connect with Pat on Google+. Like Pat on Facebook.